Design 3D Motion Design

The Kingdom of Dragons — the school returns, breathing fire.

The sequel teaser for Twimagination's magical theatrical show — Η Σχολή Μαγείας και το Βασίλειο των Δράκων. After the first show's acclaim, we traded the clock for a dragon: AI‑sketched, 3D‑built, wrapped in smoke and flame. Design, 3D and motion, end‑to‑end.

Apotheotik Twimagination Sequel · Teaser film

The Kingdom of Dragons — Η Σχολή Μαγείας και το Βασίλειο των Δράκων, burning title card with dragon wings

01 — Overview

After the apotheosis.

The brief opened with a line we couldn't resist: the first show had been "apotheosized by audience and critics." Apotheosis is literally the word this studio is named after — so the sequel had to raise the stakes.

Same magical universe, a new heart. Where the Secret Riddle turned around an astronomical clock, the Kingdom of Dragons opens an eye. We built the new show identity and teaser around a living dragon — concept-sketched with AI, textured scale by scale, and lit by its own fire. Concept and original music by Twimagination.

Dragon, awakened

3+AI

Disciplines, one studio

Aspect ratios

10+

Deliverables in the kit

02 — The Emblem

From a clock to a dragon's eye.

The sequel identity keeps the carved golden lettering of the first show and hands the stage to the beast: where the astronomical dial once turned, a dragon's eye now opens. The custom Greek letterforms we drew for the first show grow a new subtitle — Το Βασίλειο των Δράκων.

The sequel lockup — the burning golden title over the dragon — The sequel lockup. The first show's carved lettering, now breathing fire — the delivered wide cover.

The dragon in the dark, its eye alight — The new emblem. Where the clock was, an eye — glowing out of the shadows.

The dragon breathing fire — The kingdom's namesake. The beast the whole campaign is built around.

03 — Building the Dragon

A dragon, scale by scale.

The teaser needed a dragon that could hold a close-up. We explored the look with AI concept sketches, took a production creature mesh and made it ours in Substance Painter — custom scales and a molten eye — then gave it breath with EmberGen smoke and fire, staged and lit the shots in Cinema 4D, and graded the film in DaVinci Resolve.

The money shot. The eye opens — the beat the whole teaser builds toward.

↗AI-assisted concept. MidJourney sketches set the look of the eye and the mood of the beast before a single polygon moved.
↗A living eye. We art-directed the iris and skin for the close-ups — a high-detail look built to hold a macro shot.
↗Breath of fire. EmberGen volumetric smoke and flame, brought in as VDB and lit inside the Cinema 4D scene.
↗Graded to burn. A DaVinci Resolve pass that keeps the embers glowing without crushing the dark.

AI concept sketch of the dragon eye — red slit iris in blue scales

High-detail dragon iris material for the close-ups

The textured dragon head exhaling smoke in the final comp — Smoke test. The dragon exhales — volumetrics meeting the textured head in the final comp.

04 — The Teaser

Last year's magic, set on fire.

The teaser opens where the first show left off — the original title card and the words that greeted it — then something stirs in the dark. Fire writes the new name, the dragon fills the frame, and the reviews make the closing argument. All of it cut to Twimagination's original score.

Golden lettering — apotheosized by audience and critics — The setup. "Apotheosized by audience and critics" — the first show's reception becomes the sequel's opening line.

Fire-lit typography — lighting show experience and special effects — Fire type. Every promise burns in — embers, heat ripple and glow.

↗A sequel structure. Last year's title opens the film, so the audience knows exactly whose kingdom this is.
↗The eye in the shadows. The dragon reveals in glimpses — a glint, a breath, a wing — before the full head.
↗Fire as typography. The new subtitle is written by flame, exactly as the brief dreamed it.
↗The reviews close it. Press and audience quotes land the promise the dragon just made.

Press review quotes over smoke and embers — The closing argument. The first show's reviews carry the sequel home.

05 — Deliverables

One campaign, every screen.

↗16:9 + 9:16 teasers — the full film, staged for feed and story.
↗Versioned endings — premiere, presale and schools cuts, each with its own closing card.
↗Summer-show cut — a short punch version, plus a summer-tour logo variant.
↗Logo pack & key art — the lockups in every state, and the poster.
↗Open project handover — the working After Effects project delivered, so the team can re-version cards themselves.

The Kingdom — big burning letters with the dragon silhouette above — The summer-show cut. A shorter, louder version of the reveal.

Vertical 9:16 frame of the teaser — Story-ready. The 9:16 cut, re-staged beat by beat.

Early poster concept — the green dragon eye above the show title — An early poster concept. A direction we were fond of — the show went another way, but the eye still stares.